Why Blue-collar Culture Matters

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For much than a century, Hollywood and advertizing person been nan copy engines of American identity. Generations of boys recovered their blueprints for manhood connected nan metallic screen, arsenic girls looked to mag models. Sitcoms enshrined nan family’s form, correct down to nan colour of nan picket fence; and moreover emotion came packaged pinch a script, from meet-cute to nan expansive motion and happily-ever-after.

Hollywood tells these stories because they waste tickets, not because they’re true. But America didn’t ever get its consciousness of aforesaid from nan aforesaid spot it sewage buttered popcorn. Once, nan nationalist ethos came not from theatre kids and Mad Men but from settlers, planters, and frontiersmen, who lived liberty and self-reliance arsenic mundane truths.

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It was nan Industrial Age that made America a superpower. And successful that furnace, nan modern American was forged, hauled into reality by nan men and women who dragged timber, tarred roofs, welded steel, and shoveled coal—the backbone of American industry: nan blue-collar worker.

Just arsenic early settlers planted nan seeds of liberty, blue-collar workers poured nan civilized actual for nan American house. And what did that mean? Rain aliases shine, decorativeness nan job. Your activity is your reputation. Worth comes not from affirmation aliases pity but from being useful. Strive to beryllium hammer-ready, hardworking, plainspoken, and humble. At nan republic’s dawn, nan independent farmer, owning and moving his land, besides stood arsenic a cornerstone of American identity. Jefferson praised this agrarian vision, imagining a federation of small, self-sufficient farmers, while Hamilton based on for an urban, business economy.

By nan early 1800s, nan husbandman still dominated American life, but artisans and craftsmen were rising, too—blacksmiths, carpenters, printers. They embodied self-reliance and skill. Boston’s Paul Revere had been not conscionable a Revolutionary War fig but a maestro silversmith. Cabinetmaker Duncan Phyfe shaped American furniture. Samuel Colt perfected nan revolver—hence nan saying, “God created men, but Samuel Colt made them equal.”

Then came nan frontiersmen—Daniel Boone, Davy Crockett—carving lines into maps aliases blazing trails wherever nary maps existed. If Europe was defined by tribunal and cathedral, America was shaped by shop and wilderness.

By nan precocious nineteenth and early twentieth centuries, arsenic nan federation urbanized, nan lone pioneer gave measurement to nan mill hand. Millions of immigrants poured successful to cities, trading independency for assembly lines successful mills, mines, and railroads. Just arsenic Upton Sinclair depicted nan sadistic realities of mill labour successful his caller The Jungle, John Steinbeck’s The Grapes of Wrath has taught generations of readers since really nan Great Depression some hardened and ennobled nan worker. Dorothea Lange’s photographs of stoic farmhands and WPA murals of broad-shouldered laborers testified to their resilience. World War II recast workers erstwhile more—not only arsenic laborers but arsenic patriots, fueling triumph abroad. Work was nary longer conscionable toil; it was a shape of heroism.

By nan mid-twentieth century, movies and tv turned working-class life into melodramatic material. Marlon Brando’s longshoreman successful On nan Waterfront embodied a unsmooth civilized codification group against corruption. Rocky elevated a Philadelphia underdog into a cosmopolitan awesome of grit. All successful nan Family brought dockworker communities into America’s surviving rooms.

The American worker had go nan protagonist of nan nationalist story, a relatable counterweight to elites and professionals. The worker stood for consecutive talk and honorable labor, which, on pinch liberty and self-reliance, came to specify nan imagined bosom of nan American people.

Politicians seized connected nan blue-collar fig arsenic shorthand for “the people.” Advertisers followed suit: if a hardhat could waste dignity, he could waste trucks and beer, too. The image whitethorn person been cheapened, but moreover successful an property erstwhile overmuch labour has shifted to screens, spreadsheets, and symbols, nan aged virtues stay indispensable: dignity done work, independency done skill, and humility done service. Yet these values, erstwhile obvious, person faded from taste prominence, overshadowed by celebrity, credentialism, and nan cult of self-expression. What was erstwhile honored arsenic communal consciousness now often has to beryllium argued.

Three things would thief reenforce those blue-collar values, which would beryllium salutary for a civilization that excessively often seems to person forgotten them. The first is education. Schools person steered students distant from nan trades and into nan constrictive chimney of nan four-year degree. The consequence has been a procreation burdened by schoolhouse debt, moreover arsenic captious skills vanish and progressive orthodoxy spreads unchecked. Reviving vocational programs—shop classes, apprenticeships, waste and acquisition schools—would reconstruct grant to nan men and women who build, repair, and support nan country.

Second: civic respect. Too often, authorities treats blue-collar workers arsenic a demographic to beryllium managed. But their labour still makes prosperity possible, and civic life should bespeak that truth. Political rhetoric should retrieve nan connection of dignity successful manual activity arsenic a measurement of nationalist health.

The 3rd is storytelling. The stories we show style nan values we hold.

Cultural nickname of blue-collar activity survives successful Buffalo and Detroit and Fort Wayne, and successful galore different places successful nan country—and it tin beryllium strengthened. Our taste industries request not romanticize labor, but they should retrieve to respect it.

David Volodzko is simply a writer and editor astatine nan Foundation for Individual Rights and Expression (FIRE), wherever he oversees its news table and its newsletter Expression. He is besides nan writer of nan independent publication The Radicalist.

Photo: Tom Williams/CQ-Roll Call, Inc via Getty Images

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